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But in 2017, there are lots of additional ways a TV show can communicate its importance, and simultaneously, some of those earlier rules seem to have fallen by the wayside. “It’s like a movie.”See above, except it includes even more pointed implications of cinematographic sophistication, narrative complexity, and high production values.It probably also implies the ability to swear and depict (usually female) nudity. They’re not episodes, they’re “chapters.”An extension of the “it’s like a novel” claim, the important distinction here is that you, as a viewer, should hold off on making conclusions about the series because what you’re seeing is an incomplete piece. It’s not a first season, it’s a “pilot.” This is particularly pointed at Netflix, which is fond of describing its first seasons as the “pilot” of the show.On the flipside, a staggering 51% of 50-75 year olds would rather not watch TV on a date.38% in this age bracket also believe that taste in TV shows is irrelevant to finding a partner.But if you find that your TV show is especially fond of dropping tiny, Easter-egg clues that require extensive GIF posts to decipher, you’re probably looking at some prestige. None of the things on this list exist in a vacuum — they’re all the result of a complicated, multifaceted cultural and institutional system, including everything from the rise of streaming platforms, the earlier boom in cable and “it’s not TV” programming, the still-pervasive sense that serious, male-focused, dark, and violent content is more important than fiction about women or comedy. But the new bulk of peak TV also means that there are ever-increasing hours of TV, which means ever-increasing opportunities to apply prestige signifiers to a narrative without probing what they do for an audience, or why (or whether) they’re necessary.The underlying implication of this is that prestige requires your increased attention — as Noel Murray writes in a discussion of “mid-reputable” as a TV category, prestige TV “is often subject to intense scrutiny, with fans and critics evaluating every plot twist, stylistic choice, and coded message.” This is infamously associated with 9. This is such a familiar trope by now that books have been written on the topic, and it was the opening gambit of Vulture’s 2013 prestige TV rule book. Unbearably dark, humorless, overly baroque “movie-like” TV or series that take forever to get to their points, become a shorthand for prestige without necessarily including the basic storytelling building blocks or essential humanity that make a story work.Corollary: Can you watch this show in front of your kids without flinching? Series that place undue emphasis on intensely elaborate plotting too often lose the forest of sense within the endless examination of every tiny leaf.Many Americans have become accustomed to the phrase ‘Netflix and Chill’ and the popularity of a TV date night is certainly on the increase.
As a result, “all the pieces matter” is increasingly a part of TV show, serious and frivolous alike. Open to the transcendent experience of being alive? “Solemnity,” writes Elizabeth Alsop, “feels less like the exception than the rule.” I dare you to watch 13. Maybe one of the biggest shifts since Logan’s 2013 “13 Rules” post on prestige TV, the incipient boom in movie stars (and directors like Steven Soderbergh) who are making the jump to television is now one of the surest ways to communicate that what you’re about to watch is no mere episode of .Evidently, preference in TV shows is much more important to younger generations than older ones.For many, it’s less about the TV show picked on date night but rather who they’re sharing it with.A massive 84% of 18-29 year olds think watching a TV series at home is a great date idea.75% also think that it’s a suitable topic of conversation on a first date and a whopping 82% think having the same taste in TV shows makes you more attractive!